Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted"> Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted"> Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted"> Paul DiBert (1930-2009) Trompe l'oeil still life, Utah, California Oil Painting home & garden Sight Width: 7 1/4" – 1shophosting.com
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Paul DiBert (1930-2009) Trompe l'oeil still life, Utah, California Oil Painting home & garden Sight Width: 7 1/4"

SKU: 76576804703

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USD535.00 USD581.00

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Description

Sight Width:      7 1/4"

The antique belt is made from midnight blue velvet with a silk lining

the Boiler Maker business

4 inches in length

Paul DiBert (1930-2009) Trompe l'oeil still life, Utah, California Oil Painting home & garden Sight Width: 7 1/4"data exclude css removal="true" style="display: none;"> Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted

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